It’s become standard business for franchises to slowly abandon the numbers that might too bluntly remind fans of their lengthy runs. When Forky goes missing on a family road trip, the resulting adventure forces Woody to confront the possibility of not only post-Andy life, but post-kid life. She names him Forky, a neurotic character voiced by Tony Hale. But Woody slips into another existential crisis of self-worth when Bonnie favors other toys, especially one she quickly crafted herself out of a spork and some kindergarten trash. Though many reviewers have questioned its necessity, the film rates 99% fresh on Rotten Tomatoes.ĭirected by veteran Pixar animator and first-time feature filmmaker Josh Cooley, “Toy Story 4” finds Woody and the gang now settled in with Bonnie. Quality control is too high at Pixar to give us a “Toy Story” sequel on par with, say, “Jaws: The Revenge,” or something that we collectively pretend never existed, like “Godfather 3.” ″Toy Story 4″ is quite good, critics say. It would be an unfair Buzz kill to call “Toy Story 4” simply a blatant cash grab. We’re at a point where three is no longer the magic number. “It’s very reflective of where we are today with sequels and continuing sagas. “Audiences might not actually need ‘Toy Story 4’ but theaters desperately need it,” said Bock. The box office has recently slumped about 7% below last year, partly due to a string of disappointing returns for badly reviewed (or just plain bad) sequels: “Dark Phoenix,” ″The Secret Life of Pets 2,” ″Men in Black: International.”Īs Jeff Bock, senior box office analyst for Exhibitor Relations notes, it’s difficult for any studio, even Disney, to leave $1 billion on the table. release will break a spell of underperforming sequels. “Toy Story 4,” which opens in theaters Friday, is widely expected to make around $150 million over the weekend and gross close to $1 billion over its worldwide run, just like “Toy Story 3″ did.Īnd, for some, Woody is again coming to rescue. It’s probably a fool’s errand to wish for prudence from a corporate-made, multi-billion dollar property that was, from the outset, designed to sell as many toys as it jerked tears.
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